DEAD PARENTS’ THINGS

Inspired by Roland Barthes’ concept of punctum and stadium, this series explores the connection between memory and the material world. According to Barthes, studium refers to a photograph or artwork’s general interest or intellectual appeal. At the same time, punctum is an element that pierces through and grabs the viewer’s attention, evoking a personal and emotional response. With their intrinsic beauty, these objects engage the viewer on an intellectual level. The intention of this work is to bridge the gap between the material world and the intangible realm of memory, inviting viewers to ponder the profound connections between objects, personal histories, and our collective sense of self. Objects inherited from their parents possess a profound beauty and are intertwined with cherished memories. Placing these objects against soft pastel backdrops and incorporating embedded text transforms them into witnesses of the past. Through this artistic exploration, I aim to revitalize these objects, moving them beyond the shadows of death and into an embrace of cherished memories.